National Repository of Grey Literature 3 records found  Search took 0.01 seconds. 
Spatial creation by Hugo Demartini
MATĚJKOVÁ, Magdaléna
The bachelor thesis named 'Spatial creation by Hugo Demartini' is processed in both theoretical and creative, practical parts. The theoretical part of the thesis is devoted to the life and work of Hugo Demartini, with a focus on his structural experiments. One part of the thesis is pictorial supplement, which complements the artist's work. The practical part of the bachelor thesis is composed of three sculptures with wood elements inspired by the work of art of Hugo Demartini.
Abstract Tendencies in Czech Art throughout the 1970s and 1980s.
LAZÁRKOVÁ, Simona
The diploma thesis named ´Abstract Tendencies in Czech Art in the 1970s and 80s´ is processed in both, a theoretical and a creative, practical parts. The theoretical part presents abstract tendencies in Czech art during the 1970s and 80s representing the work of artists creating pieces of a ball and a geometrical shape of a circle in both, surface as well as spacial creation. The works of Václav Boštík, Stanislav Kolíbal, Hugo Demartini, Vladimír Škoda and Woody Vasulka are presented and emphasized. The practical part is presented in the form of a graphic creation including a circular theme with a subsequent area solution in gypsum. Everything is accompanied by drawing studies, graphic examinations and gypsum castings of circular objects.
Influence of Kasimir Malevich on Czech Art in the 1960s
Šosová, Jitka ; Wittlich, Petr (advisor) ; Rakušanová, Marie (referee)
This Bachelor Thesis tracks the influence of Kasimir Malevich on the development of Czech art scene of 1960s. It identifies recurring themes in Malevich's work, which inspired Czech artists in the 60s. The thesis also elaborates upon the mechanisms of these receptions. More specifically, this paper explores the imprints of Malevich's oeuvre in the artistic endeavors of Vaclav Bostik, Hugo Demartini, Dalibor Chatrny, and Karel Malich. And finally, this thesis also examines how Malevich's work was received and reflected in theoretical articles of Jiri Padrta, Arsen Pohribny, and Miroslav Lamac.

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